ARTICLES AND REVIEWS | |
1983 |
Marina Vaizey. "Playing serious games", The Sunday Times, London, 24 April John Russell Taylor. "Young Blood", The Times, London, 26 April. Fiona Byrne-Sutton. "Riverside Studio. Young Blood", Art Line Review, No 7, June. Waldemar Januszczak. "Three into two won't go", The Guardian, London, 16 August. William Feaver. "From Camel to Camay", The Observer, London, 21 August. Mary Rose Beaumont. "The Sculpture Show", Arts Review, September, pp.474-475. Alistair Hicks. "Talent under protection", Mercury, September, p.36. William Feaver. "Mr Futile's Progress", The Observer, London, 2 October. Sandra Miller. Art Press, No 75, November. Jutta Koether. "Julian Opie. Die Sympathische Plastik",Spex Musik zur Zeit, Cologne, No 12, December, pp.52-53. Michael Newman. "The Bankable Sculpture of Julian Opie", The Face. Sarah Kent. "Julian Opie", Time Out, 29 September. |
| 1984 | Michael Newman. "La Double Ironie de Julian Opie", ArtPress, Feb, pp.34-35. "Skulptur aus England", Vorwärts, Cologne, No 8, August Annelie Pohlen. "Julian Opie und Tony Cragg", Kunstforum, No 75, September-October, pp.194-195. Ruud Schenk. "Opie Verliefd", Metropolis M, No 5, pp.24-26. |
| 1985 | Marina Vaizey. "Having Fun with Trash", Sunday Times, London, April. William Packer. Financial Times, London, 16 April. Sarah Kent. Time Out, London, 18-24 April. John Russell Taylor. "A masterly turn to the South", The Times, London, 30 April. Waldemar Januszczak. "The wage of affluence", The Guardian, London, 30 April. Richard Cork. "In a Hurry", The Listener, London, 2 May Mona Thomas. "Intimes gentillesses du home Julian Opie", Beaux ArtS Magazine, No 24, May, pp.82-83. Richard Shone. "London Exhibitions", Burlington Magazine, London, May. Christopher Andreae. "Having a Fling with History", Christian Science Monitor, 29 June-5 July. Meir Ronnen. "Life as a Pun", Jerusalem Post Magazine, Jerusalem, 16 August. "Design for London Living", Avenue, November, pp.161-163. "Julian Opie, Ordinary Objects", Metronom, No.4, p.24 |
| 1986 | Kenneth Baker. "Julian Opie", Louisiana Revy, No 2, March, pp.23-27. Alistair Hicks. "Breaking the mould", The Magazine, March, p.43. Alistair Hicks. "A rediscovery of power out of obscurity", The Times, London, November "Sheets of Steel", Sunday Telegraph, London, 9 November. "Julian Opie: Lisson Gallery", Time Out, London, 19 November. Flash Art, No 135, November. Larry Berryman. "Julian Opie: Lisson Gallery", Arts Review, 5 December, p.670. |
| 1987 | Marina Vaizey. "Life Studies", Burlington Magazine, London, January, pp.45-49. Lynne Cooke. Flash Art, February. Stuart Morgan. "Julian Opie: Lisson Gallery", Artforum, February, p.131. Simon Watney. "Julian Opie: Lisson", Artscribe, March, pp.70-72. Lynne Cooke. "Julian Opie and Simon Linke", Flash Art, No 133, April, pp.37-39. David Lovely. "Casting an Eye: Cornerhouse", Artscribe International, May, p.71. Diane B Paul. "The Nine Lives of Discredited Data", The Sciences, May-June, pp.26-30. Kenneth Baker. "Julian Opie: Humorous, Cerebral Sculpture", San Francisco Chronicle, San Francisco,13 June. Peter Fuller. "London Exhibitions and Contemporary Art", Burlington Magazine, January. Wolkenkratzer Art Journal, No.4, p.67. Paul Bonaventura. "An Introduction to Recent British Sculpture, Artefactum, Sept-Oct, pp.3-7. |
| 1988 | Andrew Graham-Dixon. "Pretty Vacant", The Independent, 8 March. Marina Vaizey. "Nurturing talent in a narrow frame", The Sunday Times, London, 13 March. Tom Baker. "House of fun", The Face, April. "Exhibition Reviews", Burlington Magazine, April, p.308 Kazu Kaido. Bijutsu Techo, Japan, vol 40, No 594, May, p.16. Lynne Cooke. "Identify the Object", Art International, Vol.3, summer, pp.50-53. "Del caos al vacio del orden", Guia del Ocio, Madrid, 17-23 October, p.45. Jose Ramon Danvila. "Julian Opie: el vacio atrapado", El punto, Madrid, 21-27 October. Fernando Huici. "Poética de la indeterminación", El Pais, Madrid, 5 November. Norbert Messler. "Julian Opie: Paul Maenz, Köln", Noema, Nov-Dec, p.79. "Crónicas de exposiciones", Lapiz, No 53, p.83. Vincente Carreton Cano. "La Oferta Inglesa", Casa Vogue España, No.1 "Julian Opie", Time Out, 16 March, 1988 Rosa Olivares. "Julian Opie", Lapiz, Spain, No.52, p.83. |
| 1989 | "Julian Opie: Galeria Montenegro", Arena, February. |
| 1990 | Edward Lucie-Smith. "The British Art Show", Modern Painters, January. Liam Gillick. "Critical Dementia: The British Art Show", Art Monthly, No 134, March, pp.14-16. John Russell Taylor. "Taking a narrow view", The Times, 26 March. Marina Vaizey. "Showcase in the balance", Sunday Times, March. Tom Lubbock. "On active service in Glasgow's variety house", The Independent on Sunday, March. "Face Value", The Standard, London, 20 July. Catharine Lumby. "Sydney Biennial, Art Gallery of New South Wales, Sydney", Flash Art, No l53, summer, p.180. Justin Hoffmann. "Halley, Opie, Paolini: Albrecht, Artscribe, No 83, Sept/Oct, pp.93-94. Kenneth Baker. "Physical Precision, notes on some recent sculpture", Artspace, September/October. Peter Frank. "From the anti-form to the new Objecthood", Artspace, September/October, pp.46-48. Rainer Metzger. "Peter Halley, Julian Opie, Giulio Paolini, Susanne Albrecht". Flash Art, No l54, Vol. XXIII, October, pp.l62-163. James Carey Parkes. "Julian Opie", The Good Times, 7 December. Louise Neri. "Block's Buster: Eros, C'est la vie. The 8th Biennale of Sydney", Parkett, 25, September, pp.143-148. |
| 1991 | Sarah Kent. "Julian Opie", Time Out, 2 January. The Guardian, London, 2 January. Enrique Juncosa. "Julian Opie", Lapiz, No.75, February, pp.88-89. Michael Archer. "I was not making a monument, I was not making an object", Art Monthly, March, pp.3-5. "Julian Opie: Lisson Gallery", ARTnews, March. "From London", BT Magazine, March, p.86. Andrew Renton. "Julian Opie, In-between Space", Flash Art, Vol. XXIV, No.157, March/April, p.134. Kiron Khosla. "Julian Opie: Lisson Gallery", Artscribe, April. Steven Henry Madoff. "Sculpture - A New Golden Age?", ARTnews, Vol. 90, No 5, May, pp.110-121. Julia Cassim. "Art transforms appliances", The Japan Times, Tokyo, 9 June, p.11. Marco Livingstone. "L'héritage du pop art anglais leurres: voir double", Art Press, July/August, pp.23-25 Rose Jennings. "Eat your heart out, Andy", New Statesman and Society, September. Ralph Ubl. "Die Macht der Tradition", Presse, 10 September. "Kunst: Nicht mehr und nicht weniger", Kurier, 27 September. "Julian Opie", BT Magazine, September. Charles Hall. "The Legacy of Pop", Arts Review, 4 October. Konrad Tobler. "Die Täuschung täuscht nur die Täuschang", Berner Zeitung BZ, 26 October. "Ushering in Banality", RA, No. 32, Autumn. Carolyn Christov-Bakargiev. "Britannici tra i sette colli", Domenica, 17 November. Michael Archer. "A View of London", Das Jahr 91, Salzburge Kunstverein. Gabrielle Boller. "Grenville Davey/Julian Opie", Das Kunst Bulletin, No.12, pp.37-38. Nikkei Art 1991/2, p.141. |
| 1991-92 | Floriana Piqué. "Julian Opie: Franz Paludetto", Flash Art, Dec 1991 | Jan 1992. |
| 1992 | Armando Testa. "Ma le piante di Penone piaceranno ai Verdi?", Il Giornale dell'Arte, January, No.96. p17 Enrique Juncosa. "Julian Opie", Lapiz, February. Massimo Carboni. "Julian Opie, Primo Piano", Artforum, Rome, February, p.127. Fabrizio Crisafulli. Juliet, No.56, February/March, p.61. Georg Schöllhammer. "Skulpturen der Trabantenstadt Julian Opies Raum-modelle", Der Standard, Vienna, 26 February Ulli Moser. "Der Brite Julian Opie in der Wiener Secession", Kurier, Vienna, February Gabrielle Boller. "Grenville Davey, Julian Opie, Bern, Kunsthalle", Artefactum, March, p.49. "Julian Opie", Vernissage, Vienna, March Kristian Sotriffer. "Glätte und Magie der Hülle: Julian Opie, Hübner und Zitko in der Secession", Die Presse, Vienna, March "Julian Opie in der Secession", Die Presse, Vienna Doris Krumpl. "1.800 elektromische Gewitter: die Secession zeigt neue Objekte des jungen Briten Julian Opie", Falter, Vienna Günther Frohmann. "Wien: Julian Opie, Ursula Hübner und Duane Hanson", Salzburger Nachrichten, Salzburg Brigitte Borchhardt-Birbaumer. "Wiener Secession: Opie, Hübner", Weiner Zeitung, Vienna "Julian Opie in Wiener Secession", Tiroler Tageszeitung, Innsbruck, 16 March Francesca Borrelli. "Oriente mon amour", Wimbledon, No 23, March, p.60-63 Clifford Myerson. "Architectural Art", Art Monthly, London, May, pp.22-24 Eva Karcher. "Aktuell in Münchner Galerien", Süddeutsche Zeitung, Munich, 30 June Charles-Arthur Boyer. "De huizen van Julian Opie of: het vermoeide modernisme", Archis, September, p.10. Geraldine Norman, "Eighties for sale", The Independent on Sunday, London, 3 May Roger Bevan, "Saatchi Collection Opens New Exhibition of Young British Art", The Art Newspaper, Mar 1992 |
| 1993 | Tim Marlow. "Julian Opie: Imagine there's another possibility", Terskel/Threshold, No.9, January, pp.49-63 James Roberts. "Tunnel Vision", Frieze, Issue 10, May, pp.28-35 Jørgen Hansen. "I alle reninger - og ingen steder hen",Morgenavisen Jyllands- Posten, Copenhagen, 1 May Øystein Hjort. "Leg med rum og mellemrum", Politiken, Copenhagen, 4 May Ann Lumbye Sørensen. "Øjeblikkets abne skulptur",Information Onsdag, Copenhagen, 5 May Kótai József. "Az `elséstált' lehetoség", Magyar Nemzet, Hungary, 18 June Judit Acsay. "Made Strange", Daily News, Hungary, 18-24 June Losonci Miklós. "Osi idomok, mai jelek", Vasarnapi Hirek, Hungary, 27 June "Felejthetó és felejthetetlen dolgok", Népszabadság, Hungary, 30 June "Fúga és gipszpadló", Magyar Narancs, Hungary, 8 July James Hall, "Toys for Today", The Guardian, Monday 8th November, pp. 4-5 William Packer, "Toytown comes to the Hayward", The Financial Times, 9 November Mary Rose Beaumont, "Contemporary Sculpture on View", Galleries, November Tim Hilton, "The Years of Living Dangerously", The Independent on Sunday, 14 November "Plastiker & Objektkünstler", Art, das Kunstmagazin, No. 7, July Clare Henry, "Julian Spalding", Galleries, London, May 1993 Richard Cork, "Surprises on the South Bank", The Times, London, 3 Sept Clare Henry, "Terrific sculptures but none by the Scots", Glasgow Herald, Glasgow, 28 May Giles Auty, "Oracular Wit", The Spectator, London, 27 November Richard Dorment, "Virtual Reality Comes to Toytown", Daily Telegraph, London, 1 Dec. Waldemar Januszcaczak, "Driving without a map", Sunday Times, London, 21 Nov Wölfgang Trager, "Biennale Venedig '93", Kunstforum, Bd.124, Nov/Dec Ian Gale, "The Right Frame of Mind", The Independent, London, 15 December, p.24 "Arena Recommends", Arena, Nov 1993 "Motorway Madness Hits the South Bank", Tate, Winter 1993 William Feaver, "Function Skewed", Vogue, Nov 1993 "Visual Art", The London Magazine, Nov 1993 "Art Performance", Tatler, Nov 1993 The Independent, 2 Nov 1993 "Driving on the Road to Nowhere", The Independent, London , 9 Nov Richard Cork, "Landmarks and Roads to Nowhere", The Times, London, 12 Nov What's on, 10 Nov. "Rendez - Vous", Ville & Casali, November Sarah Kent, "Building Sights", Time - Out, p.39 Sam Taylor, "Driving in Both Directions", Daily Express, 12 Nov Hedvig Thorburn, "Vägbyggen Som Förbryllar", Sydsvenska Dablades, 18 Nov Jonathan Meades, "Old Kids on the Blocks", Mail on Sunday, 28 Nov "The Arts Guide", International Herald Tribune, 12 Nov "No Hope for Opie", Time - Out, 30 Nov "Julian Opie Recent Works", Socialist Newspaper, 18 Nov Big Issue, 16 Nov Anne Carrington, "Julian Opie And Roger Hilton", University of Greenwich Students Magazine, November "Roger Hilton and Julian Opie", ES Magazine, 3 Dec 1993 Ian McKay, "Strange Bedfellows", What's On, 15 Dec 1993 "The Hayward Gallery", Felix, Dec 1993 Peter Chater, "Mixed Reviews", Spectator, 18 Dec 1993 Anne Gregory, "Julian Opie and Richard Wentworth", Modern Painters, pp.94-95 L. Talbot, "Opie's Compulsive Monotony", Ham & High, 26 Nov The Antique Collector, Nov 1993, p.106 "Roger Hilton/Julian Opie", Times, 30 Oct 1993 David Cohen, "Reviews", Sculpture, vol.12, No.6, Nov-Dec, p.58 |
| 1993-4 | Liam Gillick, "Julian Opie", Art Monthly, Dec-Jan, No.172, p.26 |
| 1994 | Julian Opie", Contemporary Art, Winter 1993-4 William Feaver, "Roger Hilton and Julian Opie", ARTnews, February, Volume 93, No.2, pp.149-150 "Exporama: Julian Opie", Artpress, No.188, February, p.72 Andrew Renton, "Julian Opie: Hayward Gallery", Flash Art International, Vol.XXVI, No.174, January/February Ben Rogers, "In the frame: Julian Opie", Independent, London, 6 March Henning Queren, "Wie ein Gulliver zwischen Videoclip und Ritterburg", Neue Presse, 25 February Stephan Berg, "Julian Opie", Kunstforum, bd.126, March/June, pp.416-417 Roger Bevan, "Rome Celebrates British Art", The Art Newspaper, No.39, June, p.16 David Cohen, "London, England", Sculpture, Vol. 13, No.3, May-June, p.77 Pilar Corrias, "Looking to the future: contemporary art in London", The Society of London Art Dealers (1994/5 Yearbook & Directory of Members), London, pp. 44-45 Enrique Juncosa, "Noves Veus: Pintura Britanica 1989-1992", El Pais, Madrid, 3 April Marta Dalla Bernardina, "Julian Opie", Segno, No.143, May, pp.32-35 Olga Spiegel, "Nova Pintura Britanica al Centre d'Art Santa Monica", La Vanguardia, 19 March Celia Lyttleton, "War of the art worlds", Tatler, August, pp.108-113 Carmen Rueda, "'New Voices', a show if irony and humour in the Museo de Bellas Artes de Bilbao", Deia, 4 May Xavier Saenz de Gorbea, "British Painting 1989-1992", Deia, 22 May Josune Saiz, "British New Voices in Bilbao", Egin, 4 May G. Agirre, "'Ahots Berriak', Britainia Handiko gaur egungo pinturaren errebisioa", Egunkaria, 4 May Marga R. San Millan, "Bilbao holds an exhibition with 14 young British artists", El Mundo del Pais Vasco, 4 May Michael Stoeber, "Legoland der Kunst", Artist, Bremen, June, pp.18-21 Edith Doove, "Julian Opie", Artefactum, XI/52, Summer, p.34 Christoph Wiedeman, "Kunst Tips", Süddeutsche Zeitung, 6 April Jack Hughes, "Cries and Whispers", Independent on Sunday, 16 Jan Christoph Wiedemann, "Aktuell in Münchner Galerien", Süddeutsche Zeitung, 30 March Peter Bode, "Die Realität im Modell Suchen", Samstag/Sonntag, 27 Mar 1994, p.9 Emmanuel Cooper, "Visual Arts", Tribune, 7 Jan 1994 Michael Archer, "Julian Opie", Artforum, XXXII, No.8, April 1994 "News From the Trevi Flash Art Museum", Flash Art International, Vol.XXVII, No.178, p.40 "Pleasure at Her Majesty's", The Architect's Journal, London, 27 October, p.22 Richard Dorment, "Her Majesty's Pleasure", The Daily Telegraph, 2 November Geraldine Norman, "British Set Trend With Pickled Bulls and Subversive Vases", The Independent, London, 21 Nov 1994 |
| 1994-95 | Michael Archer, "The Cologne Art Fair", Art Monthly, Dec'94-Jan 95, p.29 |
| 1995 |
Michael Archer, "The Cologne Art Fair: Two Views", Art Monthly, London, No.182, Jan 1995, p.29 Angela Vettese,"Architettura Simulata", Domus, No.767 Milan, January pp. 70-74 Pierre Leguillon, "Micromegas, American Centre", Art Press, No.203, Paris, June, p.81 Lynne Cooke, "Micromegas", Parkett, No.44, Zurich, July '95, pp.132-137, 138-145 "Speciale Anteprima Fuori Uso '95", Segno, No.141, Pescara, June-July, pp.20-25 Iain Gale,"Iain Gale on exhibitions", The Independent, London, 11 August Tim Hilton, "Abstract expressions", The Independent on Sunday, London, 13 August Martin Gayford, "The subject is anything", The Daily Telegraph, London, 16 August Patricia Bickers, "Drawing the Line", Art Monthly, No.189, London, September, pp.40-41 Keith Patrick, "The complex web", RA Magazine, No.48, London, autumn, pp.24-25 Andrew Lambirth, "Whose line is it anyway?" What's On", London, 16 August, pp.12-13 Nicola Kalinski, "London, Whitechapel Art Gallery, Drawing the Line", Burlington Magazine, London, July, pp.470-472 Colin Gleadell, "Footnotes to the October Calendar", Art Monthly, No.190, London, October, p.42 Piero Deggiovanni, "Arte Inglese Oggi", Tema Celeste, No.53-54, Milan, autumn, p.88 Birgid Uccia, "Mailand: Julian Opie in der Galerie Monica de Cardenas", Kunst-Bulletin, No.12, Zurich, December, p.35 Richard Dorment, "Anything but boring", The Daily Telegraph, London, 30 December |
| 1995-96 | Colin Gleadell, "Little Jack Horner & the Wunder-Barn Kid", Art Monthly, No.192, Dec.1995-Jan.1996, pp.46-47 |
| 1996 | Giorgio Verzotti, "Julian Opie. Monica De Cardenas", Artforum, New York, January, pp.91-92 A. Cunningham-Tinguely, "Julian Opie", La Clef, 29 March Florence Marguerat, "Julian Opie", Scenes Magazine, April Emmanuel Grandjean, "Aux frontières du réel", Le Nouveau Quotidien, 29 March Carl Freedman, "Julian Opie", Galleries, London, June, p.27 "Great Britain, past and present", Art Press, No.214, Paris, June, p.19 "Julian Opie", The Standard, London, 11 June Waldemar Januszczak,"An air of familiarity", The Sunday Times, London, 23 June Manfred Brunner, "Suggestion einer Autofahrt", Neue Bildende Kunst, No.3, Berlin, June-July, p.82 Philip Sanderson, "Julian Opie, Lisson Gallery", Art Monthly, No.198, London, July, pp.25-26 "Julian Opie on Giovanni di Paolo's St John The Baptist Retiring To The Desert", The Guardian, London, 2 July Martin Coomer, "Julian Opie. Lisson", Time Out, London, 3 July Martin Rennert, "Nudes and Tin-Tin", Times Higher Educational Supplement, London, 8 November Francesco Bonami, "Julian Opie", FlashArt, November-December Celia Lyttleton, "Julian Opie", The Now Art Book, Japan David Burrows, "How will we behave?", Art Monthly, September |
| 1997 | Antony Thorncroft, "Dealers at the cutting edge", Financial Times, London, 18 January Daniel Kurjakovic/ Dominique Lämmli, "Reisen bei hoher Geschwindigkeit", Kunst-Bulletin, March Richard Cork, "Intimations", The Times, 8 April Richard Dorment, "Hypnotic Power of the object", The Daily Telegraph, 23 April Sarah Kent, "Culture Club", Time Out, 16-23 April James Hall, "The School without an Underclass" 2 May Joelle Rondi, "British Spring", Artpress, No. 225, June Richard Dorment, "Brits are best - and I'm not biased", The Daily Telegraph, 18 June |
| 1998 | Anon., "That'll do nicely- Art gets branded", Frieze, Issue 42 David Barrett, "Surfacing - Contemporary Drawing", Art Monthly, No.221, November, pp 27-28. |
| 1999 | Lisa Freedman, "Gone to Ground", The Independent on Sunday, 21 February Jürgen Raap, "Für Sie habe ich noch etwas Besonderes, Kunstforum, March- April, p. 454 Margaret Garlake, "Monumental Work", Art Monthly, April, No.225, p.47 Paul Morison, "Bonjour Monsieur Caulfield", Contemporary Visual Arts, issue 22, pp. 26-32 "5o years of British sculpture", Les cahiers de la sculpture, no. 1, p. 50 "Underneath the paving stones ...", Art Monthly, May, no.226, p.20 Stewart Dalby, "Some days my prints will come good", The Guardian, May 1, p.18 Richard Cork, "Artist's impressions", The Times, May 1, pp. 32-36 Lisa Liebmann and Brooks Adams, "A Summer Place", Art in America, June, pp. 100-107 "Sculptuur 1999/Julian Opie", Haagsche Courant, 18 June Philipp Meier, "Nicht-Porträts - Nicht Orte", Neue Zürcher Zeitung, 1 SeptM* Sam Whiting, "Death-Embracing Show in Spotlight", San Francisco Chronicle, Sept 4 "Shopping and Fucking", p. 23, Art Monthly, Oct. 99 Louisa Buck, "Mart for art's sake", Esquire, Dec 99, p. 58 |
| 2000 | Lawrence Block, "Pictures by Julian Opie", Modern Painters, cover, pp. 65-79, spring 2000 Nigel Rosser, "Where for art now? The Tate", Evening Standard, April 18, 00 Andrew Graham Dixon, "The Art of Success", Vogue, pp.179-92 London, May 2000 Dominic Murphy, "Far-Out Pavilions", The Guardian Weekend Magazine, p.37, May 13, 00 Vanessa Thorpe, "Tate curator in attack on arts", The Observer, p.9, May 14, 00 Waldemar Januszczak, "Curated chaos", The Sunday Times Magazine, pp.6-7, May 14, 00 Izi Glover, "Lost, Ikon Gallery", pp.114-115, Frieze, issue 53, June / July / Aug. Louisa Buck, "Art is sexy", Evening Standard ES Magazine, p.15, June 2, 00 Ann Wilson Lloyd, "Julian Opie at Barbara Krakow", Art in America, pp.129- 130, June 2000 Izi Glover, "Lost, Ikon Gallery", Frieze, pp. 114-115, issue 53, June-July-Aug Catherine Milner, "High IQ", Tatler, Aug 00 Lynn Mc Ritchie, "Intelligent approach to modern art", The Financial Times, p.16, early edition, July 7, 00 Adrian Searle, "Thick and Thin", The Guardian, 8 July 00 William Packer, "Cutting-edge intelligence proves artificial" Waldemar Januszczak, "A test of Intelligence", Sunday Times, Culture Section 9, p.8-9, July 9, 00 Richard Cork, "Driving forces of the new British Art", The Times, p.24, July 07, 00 Charlotte Mullins, interview, "The Lure of the Open Road", Art Review, Prints, pp.11-13, autumn 2000 Laura Cumming, "You can fill in the blanks", The Observer Review, 9 July 00 Brigitte Ulmer, "Kunstszene London: Explosion an Kreativitaet!", Bolero, pp.26-32, Sept. 00 "The biggest event of the year was...", Londinium, p.28, autumn 2000 Jens Peter Coerver, "New Painting, der Stand der Dinge", Frame, (Germany), pp.36-49, July - Aug "Tate Modern Reality and Fiction", Tema Celeste, p.116, Oct.-Dec. 00 Elspeth Moncrieff, "British artists plaster London galleries", The Art Newspaper, Nov 00, p. 74 |
| 2001 | Catherine Milner, "Artscene, Nursery's cool", Tatler, London, p. 64, Feb. 01 Nick Hackworth, "Opie Land in a Blur", Evening Standard, London, 23 February Waldemar Januszczak, "Everything must go?", pp.6-7, The Sunday Times, Culture magazine, Feb 18 01 Fisun Güner, "Julian Opie", What's on in London, pp. 23 & 25, 21 Feb "Computers used to bring Andy Warhol's ideas bang up-to-date", Hampstead & Highgate Express, 23 Feb 01 Peter Chapman, The Independent, 24 Feb 01 Jonathan Jones, "A Gainsborough for the 21st century", The Guardian, 28 February Sarah Kent, Time Out, 28 February 01 Northwest, London, February 01 Jeroen Bergmans, "Julian Opie", Wallpaper, Mar 01 Louisa Buck, "PC World", p.40, Esquire, March 01 OK Magazine, London, 2 March 01 Keith Patrick, "Contemporary Landscapes", Contemporary Visual Arts, pp.70- 71, Issue 32 Pryle Behrman, "Julian Opie", Art Monthly, pp. 31-33, March 01 Heidi Reitmaier, "artzone", p. 83, Tate, spring 2001 Charles Darwent, "Growing up as an infantilist artist", The Independent on Sunday, 11 February 2001 Laura Cumming, "Figure that one out...", The Observer, 11 February 2001 Fisun Güner, Metro, London, 9 Feb 2001 "Into the blue", i-D Magazine, p. 186, Feb 01 Sarah Hemming, "City Central", Daily Express, 26 January 01 "Opie for the masses", Vogue, Feb 01 "Opie verdict", The Independent on Sunday/Reality Magazine Helen Sumpter, "Choice", p. 38-39, Hot Tickets, 9-15 February 01 Paul Clark, "It's all a bit of a Blur", Evening Standard/Going Out, Feb 8 2001 "Richard Cork's five best London exhibitions", p. 25, Play, Mar 10-16 John McEwen, The Sunday Telegraph, Mar 11 2001 "Baltic", p. 117, Tema Celeste, Mar-Apr 2001 Louisa Buck, "Logo people", p. 37, The Art Newspaper, Feb 01 "My Bookmarks", The Daily Telegraph, 5 April JL, "Julian Opie", The Guardian, Guide, 3 Feb 2001 Kathleen Wyatt, "Arts Diary", The Times, 5 Feb 2001 Richard Shone, "London: Opie; Landy", Burlington Magazine, April 01, pp. 235-236 Michael Archer, "Julian Opie", Artforum, May 01, pp. 188-189 "Julian Opie", The Art Magazine Wolgan Misool, Issue 7, 2001, pp. 100-105 "The Artist's Eye: Julian Opie", preview of short screened on BBC Knowledge, The Times, 17 July 01 Cat Callender, "Holidays of the rich and famous", The Observer Magazine, 5 August, p. 35 Tony Godfrey, "Plain Vision", RA Magazine, autumn 01, p. 27 RS, "Julian Opie/Birmingham", Artforum, September 2001, p. 83 Daily Telegraph, 30 August 01 Fiachra Gibbons, "Gallery suffers blurred vision", The Guardian, 6 September 01 Nigel Reynolds, "Yes, we can see a blur but who's in the pictures?", The Daily Telegraph, 6 September 01 Francesca Gavin, "The motorway Monet: Julian Opie", Intersection, 01 Tema Celeste, "B. Open", November-December 2001 |
| 2002 | "After Andy: ten artists discuss the significance of Warhol for them",
Contemporary, Feb 02 Richard Shone, "Julian Opie, Ikon Gallery", Artforum, Feb 02 "Prizetime", Art Monthly, No 253, February 2002 Karen Wright, "Gallery", Modern Painters, spring 2002, Volume 15, Number 1 Art Review: "Dangerous sport sponsors art", April 2002, volume LIII, page: 20 Art Review: "Sponsor the Difference", June 2002, Volume LIII Flash Art, Vol. XXXIX no. 225, July-September 2002 Niru Ratnam, "A chequered history", Contemporary, June-July-August, 2002, p. 74-76 Angelique Chrisafis, "Skateboarder wins UK's largest art prize", The Guardian, 08-05-2002, p. 5 The Independent on Sunday, "Answer the questions! People mistake me for the receptionist", 31 March 2002 Michael Glover, "Seeing is believing", The Independent (London), 16 July 2002 Rhiannon Batten, "Blank canvas", The Scotsman, 6 July 2002, p. 22 (magazine) Deyan Sudjic, "It's enough to make you weep", The Observer, 7 July 2002, p. 12 John Russel Taylor, "Wrapped up in celluloid", Times 2, 8 May 2002, p. 16 Michelle Thomas, "New: Recent acquisitions of contemporary art", The List, 1 August 2002 William Jackson, "Art 33 Basel", Galleries, August 2002 Paul Usherwood, "B. Opened", Art Monthly, No. 259, September 2002, p. 1-4 Maite Lorés, "B-OPEN", Contemporary, Sept. 2002, p. 80 Tim Crowley, "Regeneration of the Past: Ensuring long term success for the Baltic', Art Index, # 1, 2002, p. 52-53 Janet Koplos, "Art Factory for England", Art in America", Oct. 2002, p. 45 Janice Blackburn, "House Style", Art Review, Oct. 2002, Vol. LIII, p. 90-95 "B. OPEN", Modern Painters, autumn 2002, p. 142 |
BOOKS AND CATALOGUES | |
| 1983 | Making Sculpture. Tate Gallery, London (exh cat). The Sculpture Show. The Arts Council of Great Britain, London (exh cat). Text by Fenella Crichton. Beelden 83. Rotterdam Arts Council, Rotterdam (exh cat). Text by Paul Hefting. |
| 1984 | Julian Opie. Kölnischer Kunstverein, Cologne (exh cat). Text by Wulf Herzogenrath and Kenneth Baker. Metaphor and/or Symbol. A Perspective on Contemporary Art. The National Museum of Modern Art, Tokyo (exh cat). Text by Masanori Ichikawa. |
| 1985 | Julian Opie. Lisson Gallery, London (exh cat). Texts by Michael Craig-Martin and Art & Language. Drawings 1982 to 1985. Institute of Contemporary Art, London (exh cat). The British Show. Art Gallery of New South Wales Sydney (exh cat). Text by Michael Newman. XIIème Biennale de Paris. Biennale de Paris, Paris (exh cat). Still Life: A New Life. Harris Museum and Art Gallery, Preston (exh cat). Anniottanta. The Cultura del Comune de Ravenna, Ravenna (exh cat). Three British Sculptors: Richard Deacon, Julian Opie and Richard Wentworth. The Israel Museum, Jerusalem (exh cat). Forty Years of Modern Art 1945-1985, Tate Gallery, London (exh cat) |
| 1986 | XVII Triennale di Milano. Milano (exh cat). Text by Georges Teyssot. De Sculptura - Eine Ausstellung der Wiener Festwochen1986. Wiener Festwochen, Vienna (exh cat). Text by Harald Szeemann. Correspondentie Europa. Stedelijk Museum, Amsterdam (exh cat). Forty Years of Modern Art 1945-1985. Tate Gallery, London (exh cat). Skulptur - 9 Kunstnere fra Storbrittanien. Louisiana Museum of Modern Art, Humlebaek, Denmark (exh cat). Prospect 86. Eine internationale Austellung aktueller Kunst. Frankfurter Kunstverein, Frankfurt (exh cat). Focus on the Image: Selection from the Rivendell Collection. The Art Museum Association of America (exh cat). |
| 1987 | British Art of the 1980s. The British Council, London (exh cat). Terrae Motus. Fondazione Amelio, Istituto per l'Arte Contemporanea, Naples (exh cat). Julian Opie. Documenta '87. Text by Lynne Cooke. (exh cat.) British Art of the 80's: 1987, Liljevlachs Konsthall, Stockholm (exh cat) Britannia, Paintings and Sculptures from the 1980's. Sara Hildén Art Museum, Tampere, Finland (exh cat). Documenta 8, Kassel (exh cat) |
| 1988 | Europa oggi/Europe now. Amnon Barzel (ed), Museo d'Arte Contemporanea, Prato (exh cat). Text by Michael Newman. Julian Opie. Lisson Gallery, London (exh cat). Text by Michael Newman. Les Années 80: A la Surface de la Peinture. Centre d'art contemporain, Abbaye Saint-André, Meymac (exh cat). Texts by Bernard Lamarche-Vadel and Gérard-Georges Lemaire. Britannica: 30 ans de sculpture. Musée des Beaux Arts André Malraux, Le Havre; musée d'Evreux, Evreux; école d'architecture de Normandie, Rouen (exh cat). Texts by Catherine Grenier, Francoise Cohen and Lynne Cooke. |
| 1989 | British Object Sculptors of the '80s II. Marco Livingstone (ed), ArT Random, Kyoto, Japan. Mediated Knot. Robbin Lockett Gallery, Chicago (exh cat). Text by Kathryn Hixson. Objet/Objectif. Galerie Daniel Templon, Paris (exh cat). Texts by David Moos and Rainer Crone. D+S Austellung. Hamburg Kunstverein, Hamburg (exh cat). New British Art in the Saatchi Collection. Alistair Hicks, Thames & Hudson, London. |
| 1990 | The British Art Show 1990. The South Bank Centre, London (exh cat). Texts by Caroline Collier, Andrew Nairne and David Ward. OBJECTives: The New Sculpture. Newport Harbour Art Museum, Newport Beach, California (exh cat). Text by Kenneth Baker. Biennale of Sydney. Sydney (exh cat). Work in progress. International Art in the Caja de Pensiones Fondation. Caja de Pensiones Fondation, Madrid (exh cat). |
| 1991 | Technique Anglaise. Andrew Renton and Liam Gillick (ed), Thames and Hudson, London. Objects for the Ideal Home, The legacy of Pop Art. Serpentine Gallery, London (exh cat). A View of London. Künstlerhaus, Salzburg (exh cat). Julian Opie. Kohji Ogura Gallery, Nagoya, Japan (exh cat) Text by James Roberts. Confrontaciones 91. Palacio Velasquez, Madrid (exh cat) A281/14(E). Julian Opie and G-W Press, London (edition of 1000 copies). Il Limite Delle Cose. Nella Nuova Scultura Inglese. Studio Oggetto, Milano (exh cat). Text by Enrico Pedrini, Emilio Stabilini. Kunst Europa, Kunstverein Pforzheim, Germany (exh cat) |
| 1992 | Julian Opie. Kunsthalle Bern and Vienna Secession (exh cat). New Voices, New Works for the British Council Collection. Organised by the British Council, Centre de Conférences Albert Borschette, Brussels (exh cat). Text by Gill Hedley. Terrae Motus alla Reggia di Caserta. Fondazione Amelio Istituto per L'Arte Contemporanea, Naples (exh cat). Like Nothing Else in Tennessee, Serpentine Gallery, London (exh cat) Paolo Ucello: spazio e colore, tempo e materia, luce e forma. Battaglie dell'arte nel XX secolo, La Salernia, Erice and Sale del Bramante, Rome (exh cat) |
| 1993 | In Site / New British Sculpture. Threshold, No 9, January. Museet for Samtidskunst, Oslo (exh cat and magazine). Texts by Karin Hellandsjo and Tim Marlow. Recent British Sculpture from the Arts Council Collection. A National Touring Exhibition from the South Bank Centre, London (exh cat). Juxtaposition, Charlottenborg, Copenhagen (exh cat). Made Strange, Ludwig Museum, Budapest (exh cat). Text by Ann Elliott Julian Opie, Hayward Gallery, London (exh cat). Texts by Wulf Herzogenrath, Ulrich Look, James Roberts, Lynne Cooke, Michael Newman. |
| 1994 | New Voices: British Painting, a Selection 1989-1992, The British Council, Institut Britanic a Catalunya, Spain. (exh cat) Travelling Exhibition. London Landscapes, Velan-Spazio 9 ARTE, Turin, Italy (exh cat) Julian Opie. Imagine You Are Walking, Glasgow, Tramway (exh cat) Drawing the Line, The South Bank Centre, (exh cat). Text by Michael Craig- Martin Julian Opie, Kunstverein Hannover. Text by Eckart Schneider (exh cat) |
| 1995 | De Henry Moore ós anos 90. Escultura británica contemporánea, Auditorio de Galicia, Santiago de Compostella, Spain (touring to Serralves Foundation, Oporto, Portugal); (exh cat) Arte Inglese d'Oggi, Galleria Civica, Modena (exh cat); Milan, Mazzotta Art & Ville (bilan des rencontres), Paris, Institut francais d'architecture Haus-Geburt , Offenes Kulturhaus, Linz (exh cat) Julian Opie, Album Photos, Galerie de l'Ancienne Poste, Le Channel, Calais, Scène Nationale de Calais Drawing the Line, South Bank Centre Touring Exhibition (exh cat) Fuori Uso, Stabilimenti Ex-Aurum, Pescara (exh cat) Architecture(s), CAPC musée d'art contemporain, Bordeaux (exh cat) Contemporaneamente, Associazione Spazio Immaginato, Napoli. Texts by Cecilia Casorati, Maura Madri (exh cat) It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art, Contemporary Arts Center, Cincinnati, Ohio (exh cat) |
| 1996 | Contemporary Art at Deutsche Bank London, London, Deutsche Bank Julian Opie, Driving in the Country, Tours, CCC (exh cat) Hidden in Plain Sight. Illusion in Art from Jasper Johns to Virtual Reality, Los Angeles County Museum of Art (exh cat) Abstract Real, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna (exh cat) |
| 1997 | Julian Opie, Galerie Barbara Thumm, Berlin (exh cat.) Artists for Sarajevo, Fondazione Querini Stampalia, Venice (exh cat.) Julian Opie, Gallery Nova Sin, Prague New Pieces, Julian Opie and Lily van der Stokker, De Gouverneurstuin, Essen (exh. cat.) Follow Me, British Art on the Elbe," (Curated by Eckhard Schneider), Deinste, Germany (exh. cat.) Art in the City, Kunsthaus Bregenz and Bregenz Kunstverein, Bregenz, Austria (exh.cat.) Need for Speed, (Curated by Thomas Trummer) Grazer Kunstverein, Graz (exh cat.) Another & Another & Another Act of Seeing (Urban Spaces), Desingel International Arts Centre, Antwerp (exh cat) Julian Opie, 9th Delhi Triennial, Lalit Kala Academi, New Delhi (exh cat) |
| 1998 | Every Day, The 11th Biennale of Sydney, Sidney (exh cat.) Distinctive Elements, Contemporary British Art Exhibition, The Museum of Contemporary Art, Seoul, Korea (exh cat) Kimpo International Sculpture Syposium, Kimpo Sculpture Park, Korea (exh cat) Surfacing Contemporary drawing, ICA, London (exh cat) Thinking Aloud, South Bank Centre Touring Exhibition curated by Richard Wenthworth: Kettle's Yard, Cambridge; Cornerhouse, Manchester; Camden Arts Centre, London (exh cat) |
| 1999 | Breaking the Mould, British Art of the 1980s and 1990s, The Weltkunst Collection, London (exh cat) Schöpfung, Freising Diözesanmuseum, Munchen, (exh cat), Texts by Petra Giloy-Hirtz, Peter B. Steiner, Joseph Hörish, Reinhard Steiner, Peter Neuner Vision. 50 years British creativity, Thames & Hudson. Texts by David Sylvester, David Hockney, Melvyn Bragg, Michael Craig-Martin, Nicholas Serota The Space Here is Everywhere - Kunst mit Architektur / Art with Architecture, Villa Merkel / Bahnwärterhaus, Galerien der Stadt Esslingen. Texts by Renate Wiehager, (exh. cat.) Milan Europa 2000: the end of the century. The seeds of the future, (exh. cat.), Electa, Milano Julian Opie: Daniel Yes, Christine No, Stadtgalerie am Lehnbachhaus, Munich ( exh cat) In the midst of things, Bournville, Birmingham (exh cat) Panorama 2000, Centraal Museum, Utrecht (exh cat) Vergiss den Ball und spiel weiter, das Bild des Kindes in zeitgenössischer Kunst und Wissenschaft, Kunsthalle Nürnberg (exh cat) Please Touch, an exhibition of limited edition furniture designed by contemporary artists, SCP store, London (exh cat) Teatro Botanico, la natura nell'arte del XX secolo, Museo del Castello Ursino, Catania (exh cat) |
| 2000 | Julian Opie, Abbaye Saint-André, centre d'art contemporain, Meymac, France (exh cat) Julian Opie, Alan Cristea Gallery, London (exh cat) Lost, Ikon Gallery, Birmingham (curated by Tania Kovats) (exh cat) Drive, Govett-Brewster Art Gallery, New Plymouth, New Zealand (exh cat) The Self is Something Else - Art at the end of the 20th Century, Kunstsammlung Nordrhein-Westfalen, Dusseldorf (exh cat) Hausschau | Das Haus in der Kunst, Deichtorhallen, Hamburg (exh cat) Between Cinema and a Hard Place, Tate Modern, London (exh cat) Parklight, curated by Alice Sharp, Clissold Park, London (exh cat) Fact & Value, Charlottenburg, Copenhagen (exh cat) New British Art 2000: Intelligence, Tate Britain, London (exh cat) Version 2000, Centre pour l'image contemporaine, Saint-Gervais, Genève (exh cat) |
| 2001 | Julian Opie, Wetterling Gallery, Stockholm (book of stamps) "Art › Music", Rock Pop Techno, an exhibition looking at crossovers between visual art and music; Museum of Contemporary Art, Sydney (exh cat) "Landscape", curated by Ann Gallagher, The British Council. Exhibition tour opening at ACC Gallery, Weimar; travelling to House of Artists, Moscow; Peter and Paul Fortress, St. Petersburg; Galleria Nazionale d'Arte Moderna, Rome; Centro Cultural del Conde Duque, Madrid; Sofia Municipal Gallery of Art, Bulgaria; Museu de Arte Contempora^nes de Niterio, Rio de Janeiro; Museu de Arte de Sao Paolo; Le Botanique, centre culturel de la communauté francaise Wallonie-Bruxelles (exh cat). In Fumo (Art, Comics, Communication), curated by Giacinto di Pietrantonio, Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy (exh cat) Multiplication, a British Council touring exhibition of artist's multiples, National Museum of Art, Bucharest. (exh cat) Milan Europa 2000, (Fine secolo. I semi del Futuro). Texts by Alessandra Mottola Molfino, Giorgio de Marchis and Lucia Matino. Conduire, texts by Julian Opie, ed. Contrat Main, Marseille. |
| 2002 | From Archipov to Zittel, selected Ikon Off-site projects 2000 | 2001, texts by Deborah Kenmode and Jonathan Watkins. Sculptura 02 International Art in Public Spaces, Falkenbreg, Sweden (exh cat) Frenetic Interference, Memory/Cage editions art publishers, Zurich. Curated by Daniel Kurjacovic and Adrian Notz (exh cat). Shine, the Lowry, The National Landmark Millennium Project for the Arts, Salford Quays, Salford (exh cat). Babel 2002 ("Race-Face, Langue-Dialogue"), National Museum of Contemporary Art, Seoul, Korea (exh cat) B.Here, Baltic, the Centre for Contemporary Art, Gateshead (exh cat) Blast to Freeze, British Art in the 20th Century, Kunstmuseum Wolfsburg (exh cat) Julian Opie, Wallpaper, (Holiday in Bali), Atelier Augarten, ONsterreichische Galerie Belvedere, Vienna. Texts by Julian Opie and Thomas Trummer (exh cat) Continuity/Departure, Tokyo Museum of Art, curator Kazuo Nakabayashi (exh cat) Trespassing: Houses x Artists, the Bellevue Art Museum, Washington, MAK Centre for Art and Architecture, Los Angeles and MAK Vienna (exh cat). Julian Opie, Mario Sequeira Gallery, Braga, Portugal (exh cat) Alan Cristea Gallery 2001 - 2002 (exhibition programme) Mask or Mirror ? (A play of portraits), Worcester Museum of Art, Worcester, MA. Text by Susan L. Stoops. Julian Opie, Portraits Codax Publishers/Hatje Cantz |
| 2003 | Julian Opie Neues Museum Nurnberg, Germany (exh cat) Urban Codes coder/decoder Espace de l'art concrete, Mouans-Sartoux, France (exh cat) Bijou gets undressed text by Julian Heynen, K21 Dusseldorf, Germany (exh cat) Auto-Nom NRW forum, Dusseldorf, Germany published by Hatje Cantz Julian Opie/Alan Cristea 'newspaper' Alan Cristea Gallery, London (exh cat) |
| 2004 |
Within the landscape, Roche Court Sculpture Park publication, UK Skyshout Galeria Mario Sequeira, text by David Barro (exh cat) Funny Cuts Staatsgalerie Stuttgart, "Supermans big sister" text by Andreas Schalhorn (exh cat) Portrat ohne antlitz, Kunsthalle zu Kiel (exh cat) Starwork: Young Artist of the Year Award, (exh cat) Settlements text by Laurent Heygi, Saint Etienne, France (exh cat) Saved; 100 years of the national art collections fund, Hayward Gallery/Art Fund Julian Opie, Landscapes Wetterling Gallery, Stockholm (exh cat) Julian Opie - Bijou, Sara, Bryan and Monique Lisson Gallery (exh cat) Julian Opie (J.O), text by Mary Horlock, Tate Gallery publication |
| 2005 |
M City European Cityscapes, Kunsthaus Graz, Austria (exh cat) Effervescence, Musees D'Angers, France (exh cat) Modern Art text by Michael Kerrigan, Flame Tree Publishing Works From Collezione Sandretto Re Rebaudengo text by Francesco Bonami (exh cat) West Wing: Making art and achitecture work for health, Barts and the London NHS trust (exh cat) |
| 2006 |
Minimalism and After, Daimler Chrysler Collection, Pub. Hatje Cantz At Home with Art, Tiddy Rowan Between the Lines, RX ART Publication Personal views: Regarding private collections in San Diego, San Diego Museum of Art publication How to Improve the World: 60 Years of British Art, Michael Archer, Marjorie Allthorpe-Guyton, Roger Malbert, Hayward Gallery (exh cat) |
| 2007 |
Animated Painting, San Diego Museum of Art. (exh cat) Kunst Ist Kunst, Neues Museum. A Festival on the river, The Story of the Southbank Centre, Charlotte Mullins, UK Walking on the Vltava, Museum Kampa, Prague (exh cat) SHOW TIME, Julian Opie, CAC Malaga, (exh cat) 26 Portraits by Julian Opie, Alan Cristea gallery Julian Opie, Galeria Mario Sequeira Impersonality and Emotion in Twentieth-Century British Arts, Julie Labay, University Paul-Valery, Montpellier III Sculpture Parks in Europe: A Guide to Art and Nature, Jimena Blazquez Abascal, published by Birkauser |